Welcome to the twenty-third biennial New College Conference on Medieval & Renaissance Studies!
If you are presenting, please check that your name, affiliation, and paper title are all correct. We look forward to seeing all participants in Sarasota in March!
9:00 am – 12 noon
1) Gamifying the Premodern Classroom: Vikings Attack Iona! (9:00-12:00 pm)
2) Public Scholarship and Writing (10:00am–12:00pm)
As both workshops require a minimum number of participants, please click here to sign up.
Lunch
2:00-3:30 pm
3:30–3:45pm
Coffee Break
3:45–5:15 pm
5:30-7:00 pm
Conference Reception
College Hall Bayfront
9:00–10:30 am
10:30–10:45am
Coffee Break
10:45 am–12:15 pm
Lunch
1:30–2:00pm
Session 19: Lunchtime Performance
2:15–3:30 pm
Plenary I: Movement and Restraint in London Drama, 1384–1524
Matthew Sergi, University of Toronto
3:30–3:45pm
Coffee Break
4:00–5:00 pm
Tours: John & Mable Ringling Museum of Art
5:00–6:30 pm
Ringling Reception
John & Mable Ringling Museum of Art
9:00–10:30 am
10:30–10:45am
Coffee Break
10:45 am–12:00 pm
Plenary II: The Little Commune that Could:
Defining Public Space in Medieval Città di Castello
Maureen C. Miller, University of California, Berkeley
Lunch
2:00–3:30 pm
3:30–3:45pm
Coffee Break
6:00–8:00 pm
We Were Here:The Untold History of Black Africans in Renaissance Europe (2024)
Screening and discussion with filmmaker Fred Kuwornu
Thursday morning
Gamifying the Premodern Classroom: Vikings Attack Iona! (Snook)
led by Victoria McAlister and Mary Valante
9:00 am – 12 noon
Public Scholarship and Writing (Barracuda)
led by Cameron Hunt McNabb
10:00 am – 12 noon
Click here for more information about the 2026 workshops.
Thursday 2:00–3:30pm
Chair: N. Kıvılcım Yavuz, University of Leeds
From Little Flowers to Little Plant: Redefining Franciscan Manuscripts
Georgina Blackwell and Yunji Li, Columbia University
This paper has been withdrawn.
The Early Transmission of the Legenda Aurea until 1350
Constanze Albers, Albert-Ludwigs-Universität Freiburg
☞ 2026 Snyder Prize Winner (Honorary)
The Myth of the Monolith: The Transmission of Ekkehard of Aura's Chronicle in the 12th Century
T. J. H. McCarthy, New College of Florida
Chair: Maureen C. Miller, University of California, Berkeley
Medieval Italy as Part of the Dār al-Islām: the Reign of Sawdān, Emir of Bari (857-71)
Valerie Ramseyer, Wellesley College
Status and Song: Qiyān, Trobairitz, and the Poetics of Courtly Love
Radman Rasti, Texas Tech University
Courtly Behavior in the Law Codes of Crusader Cyprus
Laura Morreale, independent scholar
Chair: Anne Latowsky, University of South Florida
Feigning Anger with Purpose: The Hero's Sulk in Erec et Enide
David S. King, Stockton University
Legends of Leadership: The "King in the Mountain" Myths of Frederick Barbarossa and Constantine XI Palaiologos
Ananda Majumdar, North Central Theological Seminary
Between the English and the Welsh: The Conflicted Career of Sir Gruffydd Llywd
Madigan Swartz, independent scholar
Chair: Christa DiMarco, New College of Florida
Meltdown: The Sacred Silver of S. Agostino in Campo Marzio and the 1527 Sack of Rome
Sharon Lee Cowan, John Cabot University
What Exactly Did John Ringling Purchase? Reconsidering a Plaster Relief Attributed to Pierino da Vinci (c. 1548-50)
Jerry A. Marino, independent scholar
Response
Sarah Cartwright, John & Mable Ringling Museum of Art
Chair: Nicole Guenther Discenza, University of South Florida
Christian Texts in Tang China: Syriac Christianity's Eastern Expansion in Late Antiquity (635–750)
Alexis Balmont, University of Hong Kong
The Kingdom of Serbia and the Papacy in the Early Fourteenth Century
Joan Dusa, independent scholar
The Discourse of Blood in Early Fifteenth-Century Baptized Jewish Communities
Zachary Young, University of Florida
Thursday 3:45–5:15pm
Chair: Alison Williams Lewin, St. Joseph's University
An Early Reformation: Ideas Exposed, Lessons Learned
Kathryn Karrer, independent scholar
Prester John and the Merchants of His Land of Riches in the 14th-Century Franco-Italian Huon d'Auvergne
Shira Schwam-Baird, University of North Florida
Regions, Peoples, History: Chorography in Pietro Ranzano's Annales omnium temporum
Tiziano Tubay, Sapientia College of Theology of Religious Orders, and the Library and Information Centre of the Hungarian Academy of Sciences, Budapest
Chair: Cameron Hunt McNabb, University of Tampa
The Ecocritical Eardstapa: Evolving Earthly Perceptions and Christian Poetic Traditions in The Wanderer
Braden Burton, University of Tennessee, Knoxville
The Wonder of Beowulf
Nicole Guenther Discenza, University of South Florida
Royal Consorts, Royal Power, and Abbatial Appointments in Mid-Tenth-Century England
Mary Blanchard, Ave Maria University
Chair: Giovanna Benadusi, University of South Florida
Conversations Across Generations: Women Debating the Life Course in Moderata Fonte's The Worth of Women
Caroline Castiglione, Brown University
"We Wanted to Take the Young Woman": Glimpses of Indigenous Women in the New World
Kateri Smith, independent scholar
Daniel Gives Birth to a Baby Girl: The Unusual Case of Daniel Burckhammer
Konrad Eisenbichler, University of Toronto
Chair: T. J. H. McCarthy, New College of Florida
The Jewish-Christian Scholastic Legacy in the William of Tyre Tradition
Philip Handyside, Stetson Universitry
Editing El caballero del Cisne: A Reconsideration of its Textual Variants
David Arbesu, University of South Florida
Thoughts on Translation: The Old French Origins of the Spanish Swan Knight
Anne Latowsky, University of South Florida
Chair: Laura Morreale, independent scholar
Information Technology and Bookish Culture in Late Antiquity: Once Again, Whither Codex and Desk from Scroll and Lap
David Edwards, New College of Florida
Reimagining Manuscript Pedagogy through New Technologies
N. Kıvılcım Yavuz, University of Leeds
Medievalisms avant la lettre
Richard Utz, Georgia Institute of Technology
This paper has been withdrawn as Professor Utz is unable to attend.
Thursday 5:30–7:00 pm, College Hall Bayfront
Friday 9:00–10:30am
Chair: Jeffrey Hanson, New College of Florida
Hidden and in Plain Sight: Performing Humility in the Vitae of Elizabeth of Hungary
Adam J. Davis, Denison University
Margery Kempe's Avenging Angel
Mary Dzon, University of Tennessee, Knoxville
Realms of the Senses: The Besloten Hofjes and Women's Cultivation of Ideal Spiritual Identity Through Sensorial Environments
Meredith Vigan-Wilbur, University of South Florida
Chair: Valerie Ramseyer, Wellesley College
Barāthā and the Politics of Prayer: Sacred Space and Caliphal Authority in Baghdad (312-451 AH / 924–1060 CE)
Nassima Neggaz, New College of Florida
Shipbuilding, Conquest, and Trade in the Central Mediterranean: The Ships of the Zirid Dynasty (972-1148 CE)
Matt King, University of South Florida
Government of Religious Difference in the Mamluk Sultanate: Rules and Covenants in Ibn Taymīyah (1263-1328)
Julio César Cárdenas Arenas, Complutense University of Madrid
Chair: Caroline Castiglione, Brown University
Machiavelli's Art of War as His Imaginary Principality
Casey Wheatland, New College of Florida
Gambling and Blaspheming: Crime, Sin, or Both?
Alison Williams Lewin, Saint Joseph's University
A Consilium of Paolo di Castro (1360/62-1441) on a Usurer's Testament: Vernacular Culture in the Law
Thomas Kuehn, Clemson University
Chair: Matthew Sergi, University of Toronto
We Are Underlings: Supernatural Forces Both Mythical and Human in Julius Caesar and The Purge: Election Year (2016)
Shay Williams, University of New Hampshire
Absence in Macbeth
Lizz Angello, independent scholar
"Things invisible to see": Allegory and Agency in Early Modern Domestic Tragedy
Nova Myhill, New College of Florida
Friday 10:45am–12:15pm
Organizer: Sara Munson Deats, University of South Florida
Script: Ann Basso, University of South Florida
Chair: Cameron Hunt McNabb, University of Tampa
A staged reading with modernized language of "Noah," from the Towneley medieval mystery plays—perhaps one of the most entertaining pieces of medieval drama, in which the uxorious Noah is depicted as a hen-pecked husband and his wife as a shrewish doubter. The cast will include: Robert Logan, University of Hartford; Sara Munson Deats; Su Senapati, University of South Florida; John Wright; Barry Karpay; Giulio Basso; Lagretta Lenker, University of South Florida; Joyce Karpay, University of South Florida; and Ann Basso.
The performance will be followed by a discussion with the editors and actors regarding the play's context, history, and performance possibilities.
Chair: Thomas Kuehn, Clemson University
Maternal Love and Guardianship
Elena Brizio, Georgetown University, Villa Le Balze (Fiesole)
Happy to Stay Single? Artisan Men and Delayed Marriage in Quattrocento Florence
Tovah Bender, Florida International University
The Politics of Penance: Gender, Confession, and the Venetian Interdict
Kathryn Taylor, University of Tennessee, Chattanooga
Chair: Nassima Neggaz, New College of Florida
Early Modern Religious Dialogue between European Prints and Persian Marginalia in the Bellini Album Manuscript
Kourosh Nejad, Ohio University
☞ 2026 Snyder Prize Winner
"With all allegiance and with honour": Mediterranean Imperial Entanglement in George Peele's The Battle of Alcazar (c. 1558)
Aisha Hussain, University of Salford, UK
How to Behold the Calligrapher: Revisiting Sheikh Hamdullah in Ottoman Political History
Abdullah Sami Sümer, Hitit University, Turkey
Chair: David Arbesú, University of South Florida
Musica Narrativa: The Harmonics of Poetic Architecture in Dante's Divine Comedy
Shannon Valenzuela, University of Dallas
Memory and Transformation: Renaissance Legacy and Baroque Context in Isabella Leonarda's Mottetti a 1, 2 e 3 voci con violini e senza, Op. 13
Francesco Monti, Pontifical Ambrosian University Institute of Sacred Music, Milan
Afterlives: Liszt's Dantesque Monuments
Charles Hulin, Southeastern University
Friday 1:30–2:00pm (Grouper)
Charles Hulin, Southeastern University
T.J.H. McCarthy, New College of Florida
Drs. Hulin and McCarthy will provide a short program of keyboard music on both piano and harpsichord (Dr. McCarthy will be playing a harpsichord he built himself.)
A short Q&A will follow the performance.
Friday 2:15–3:30pm
Welcome
David Rohrbacher
Provost, New College of Florida
Presentation of the 2022 Snyder Prize
Plenary Lecture I:
Movement and Restraint in London Drama, 1384–1524
Matthew Sergi, University of Toronto
Friday 3:45–5:00pm, John & Mable Ringling Museum of Art
Friday 5:00–6:00pm
Saturday 9:00–10:30am
Chair: Katherine Brion, New College of Florida
The Lions, the Creatures, and the Chrismon: Jaca Cathedral's Brotherly Agents of Religious Change
Coral Silver, John & Mable Ringling Museum of Art
The Joint Depiction of Artist and Commissioner: A New Pictorial Form in the Social History of Renaissance Art
Hannah Semsarha, University of Bonn & Harvard University
The Body in Early Modern Science: Sculptures of the Supine Dead Christ in Golden Age Spain
Ilenia Colón Mendoza, University of Central Florida
Chair: David Rohrbacher, New College of Florida
On Saint Augustine and the Philosophico-Theological Terminology of "Analogy" with Reference to Christian Theology before 500 AD
David Francis Sherwood, Ave Maria University
Preaching Jupiter: Lay Piety and Anti-Pagan Erudition in Late Antique Sermons
Mattias Gassman, University of Florida
The Life and Letters of Desiderius of Cahors: The Evidence of Social Network Analysis
Ralph Mathisen, University of Illinois at Urbana-Champaign
Organizer: Bianca Lopez, Southern Methodist University
Chair: Daniel Bornstein, Washington University in St. Louis
The Countryside Comes Home: Urban Monasteries and Regional Migration Towards the City
Lee Morrison, Washington University in St. Louis
Names and the Creation of Pre-modern Ethnicity in the Notarial Records of Fifteenth-Century Adriatic Italy
Bianca Lopez, Southern Methodist University
Labelling the Globe: Toponymic Challenges of the 15th and 21st Centuries
Carrie Beneš, New College of Florida
Chair: Melanie Hubbard, New College of Florida
Devotional Obligations and Sanctified Social Mobility in Aemilia Lanyer's "The Description of Cooke-ham"
Sarah Dorr, University of West Florida
Embodied Resurrection in the Emblems of Hester Pulter
Hannah Bocz, University of West Florida
Baroque Devotion and Female Authorship: "Fawor miłości Boskiej" (The Favor of Divine Love) attributed to Anna Teresa Piotrkowczykowa
Katarzyna Kaczor-Scheitler, University of Lodz, Poland
Saturday 10:45–12:00pm
Plenary Lecture II:
The Little Commune that Could: Defining Public Space in Medieval Città di Castello
Maureen C. Miller, University of California, Berkeley
Saturday 2:00–3:30pm
Chair: Lizz Angello, independent scholar
In the Company of "that merry man Rablays": The Decorum of Antimarprelate Grotesques
Chris Hill, University of Tennessee at Martin
Labor as a Necessity: Puritan Motivations for an Industrious Life
R.A. Miller, independent scholar
Organizer: Elizabeth Lisot-Nelson, University of Texas at Tyler
Chair: Konrad Eisenbichler, University of Toronto
The Power of Petrarch in the Depiction of the Triumph of Death in Italian Renaissance Art
Margaret Ann Zaho, University of Central Florida
All is Vanity: References to Northern Renaissance Motifs of Death in Three Interwar Paintings by Otto Dix
Kaia Magnusen, University of Tampa
The Last Judgment and the Triumph of Death: Michelangelo's Concealed Sources
Elizabeth Lisot-Nelson, University of Texas at Tyler
Chair: Victoria McAlister, Towson University
The Will of a Pig in Late Antiquity
David Rohrbacher, New College of Florida
Piglets and Pudenda: Tracing a Comic Euphemism across Millennia
Carl Shaw, New College of Florida
Divine Swine? The Role of Pigs in Byzantium
Michael Decker, University of South Florida
Organizer: Nathaniel Hess, Warburg Institute
Chair: David Harvey, New College of Florida
The Jesuits' Demon in the Press: Errata and the Printing of Donne's Conclave Ignati
T. M. Vozar, University of Florida
Latin and Diplomacy in the Early Seventeenth Century
Eloise Davies, University of Florida
All royal and politique? Latin Writing and the French Wars of Religion
Nathaniel Hess, Warburg Institute
Saturday 6:00–9:00pm, Hamilton Center 8
We Were Here:The Untold History of Black Africans in Renaissance Europe (2024)
Screening and discussion with filmmaker Fred Kuwornu
To get to Hamilton Center 8, turn left out of Sudakoff and cross the road: Hamilton Center 8 is the last room in the building to your left.